resursi: urban renewal no wiki

During the 1990s the concept of culture-led regeneration gained ground. Examples most often cited as successes include Temple Bar in Dublin where tourism was attracted to a bohemian ‘cultural quarter’,

General Bibliography

1. ^ The story of urban renewal: In East Liberty and elsewhere, Pittsburgh’s dominant public policy tool didn’t work out as planned Sunday, May 21, 2000, By Dan Fitzpatrick, Post-Gazette Staff Writer
2. ^ Urban Renewal: How Corruption Operates locally
3. ^ Harsh urban renewal in New Orleans: Poor, black residents cannot afford to return, worry city will exclude them
4. ^ [http://www.villagevoice.com/news/9911,lobbia,4486,5.html Bowery Bummer: Downtown Plan Will Make and Break History, J. A. Lobbia March 17, 1999
5. ^ Paris in Construction, Leonard Downie Jr., 1972

• Grogan, Paul, Proscio, Tony, “Comeback Cities: A Blueprint for Urban Neighborhood Revival”, 2000. (Business Week review of “Comeback Cities”)

Annie Leibovitz

From Wikipedia, the free encyclopedi

Anna-Lou “Annie” Leibovitz (IPA: /ˈliːbəvɪts/) (born October 2, 1949) is a noted American portrait photographer whose style is marked by a close collaboration between the photographer and the subject. 

Born in Waterbury, Connecticut, Leibovitz was one of six children and a military brat; her father was a lieutenant colonel in the United States Air Force and the family moved frequently when she was young. Leibovitz’s mother was a modern dance instructor.

In high school, she became interested in various artistic endeavors, and began to write and play music. She attended the San Francisco Art Institute. She became interested in photography after taking pictures on a trip to visit her family in Japan. For several years, she continued to develop her photography skills while she worked various jobs, including a stint on a kibbutz in Israel for several months in 1969.^[1]

Rosa von Praunheim

From Wikipedia, the free encyclopedia

Rosa von Praunheim (stage name of Holger Bernhard Bruno Mischwitzky born November 25, 1942 in Riga, Latvia) is a German film director and gay rights activist. He is considered to be an important representative of postmodern German film. Especially his documentary film „It’s Not the Homosexual Who is Perverse, but the Situation in Which He Lives“ („Nicht der Homosexuelle ist pervers, sondern die Situation, in der er lebt“) from 1970 made him to one of the initiators of the gay rights movement in Germany.

His films have featured such personalities as Jayne County, Vaginal Davis, Divine and Jeff Stryker.

Leni Riefenstahl

From Wikipedia, the free encyclopedia

Helene Bertha Amalie “Leni” Riefenstahl (August 22, 1902 – September 8, 2003) was a German film director, dancer and actress widely noted for her aesthetics and innovations as a filmmaker. Her most famous film was Triumph des Willens (Triumph of the Will), a propaganda film made at the 1934 Nuremberg congress of the Nazi Party. Riefenstahl’s prominence in the Third Reich along with her personal friendships with Adolf Hitler and Joseph Goebbels thwarted her film career following Germany’s defeat in World War II, after which she was arrested but never convicted of war crimes.^[1]

The propaganda value of her films made during the 1930s repels most commentators but many cite the aesthetics as outstanding. Riefenstahl is widely noted in film histories for pioneering new techniques in film, which have been characterized as visionary and groundbreaking.^{[2][3][4][5][6][7]} Reviewer Gary Morris called Riefenstahl “an artist of unparalleled gifts, a woman in an industry dominated by men, one of the great formalists of the cinema on a par with Eisenstein or Welles.”^[8] Riefenstahl later published her still photography of the Nuba tribes in Africa and made films of marine life.

radošās industrijas – kritika

 Thus the question arises as to how could it happen that with only a small shift from singular to plural, from culture industry to creative and cultural industries, this conceptual brand has now been reinterpreted as something like a promise of universal salvation not only for politicians[1], but also for many actors in the field itself.

http://eipcp.net/transversal/0207/raunig/en

resursi: kultūra & ilgtspējīga attīstība

http://www.culture-em.org.uk/documents/uploads/cultureandregeneration.pdf culture and regenration

10/does_culture_ex.html

urban developmentsoziokuultur

http://creativecity.ca/news/special-edition-2/03-support-innovative.html laikraksts/pieredzes apskats

http://66.102.9.104/search?q=cache:UrOhxuu_booJ:www.a4d.lv/raksti/574/+rado%C5%A1a+pils%C4%93ta&hl=en&ct=clnk&cd=1 par helsinkiem

nezudusī paaudze

man gadījās piedzimt paaudzē, kas ir par vēlu.l ai piedalītos lielās vēstures veido, par vēlupat, lai to pilncērtīgi atcerētos un saprastu. Atceros, kā vaicāta par to, vai atceros dziesmoto revolūciju teicu, ka neskaidri, lai gan padomājot atceros, ka man bija četri – nu kāds velnsarārā neskaidri, es laimīgi kūkoju savā nodabā.

upd. par to pašu citreiz:

Saukt savu paaudzi par zaudēto ir saldi un vilinoši. Es piedzimu dīvainā paaudzē, kurai nebija (nav) rētu, ko laizīt: daudz par vēlu lai izjustu īsteno padomju elpu, mazliet par vēlu, lai aktīvi piedalītos atmodā un mazliet par agru, lai neizjustu skaudru LIELO NOTIKUMU trūkumu savās dzīvēs. Mana paaudze ir tā, kurai vecāki un pat vecākie brāļi un māsas spēj reflektēt par padomju feelingu, ugunskuriem un barikādiem, ir sajūta, ka tas ir devis katra individuālās dzīves “attaisnojumu”. Nu “kaut kā padarīta” sajūtu.

ar kāzām viss pa vecam

Ir tik jocīgi piedalīties divdesmitgadnieku kāzās uz saprast, ka kāzas svin uz mata tāpat, kā to darīja mani vai viņu vecāki. tās pašas kamolu mešanas pār ozolu, atslēgu dalīšanas, šķīvju plēšanas, šūpināšana šūpolēs, ziedu nolikšana pie ozoliem utt. Pat kāzu avīze ir viens pret viens savietojama ar kāzu avīzi toreiz. Bet jaunieši, kas precas, taču ir mūsdienīgi, stilīgi, lai ko tas arī nenozīmētu.